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TIME: Almanac 1995
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<text id=89TT3208>
<title>
Dec. 04, 1989: Sad Life Of A Love Goddess
</title>
<history>
TIME--The Weekly Newsmagazine--1989
Dec. 04, 1989 Women Face The '90s
</history>
<article>
<source>Time Magazine</source>
<hdr>
BOOKS, Page 97
Sad Life of a Love Goddess
</hdr><body>
<qt> <l>IF THIS WAS HAPPINESS: A BIOGRAPHY OF RITA HAYWORTH</l>
<l>by Barbara Leaming</l>
<l>Viking; 404 pages; $19.95</l>
</qt>
<p> The photograph appeared in LIFE's Aug. 11, 1941, issue and
later became a ubiquitous pinup during World War II: a
surrealistically gorgeous woman partially dressed in a
shimmering negligee knelt on a bed and smiled enigmatically over
her bare left shoulder. Inspired by this stunning vision in
black-and-white, countless G.I.s knew exactly what they were
fighting for. Mom, apple pie and Rita Hayworth.
</p>
<p> Maybe one of those soldiers could have come home and saved
her from her sad, passive fate. But If This Was Happiness makes
such a possibility seem unlikely. Barbara Leaming, who has also
written biographies of Roman Polanski and Orson Welles (Rita
Hayworth's second husband), argues that Hollywood's Love Goddess
was doomed from childhood to a private hell of uncertainty and
unhappiness.
</p>
<p> The principal villain in this piece is the actress's
father, an itinerant Spanish dancer named Eduardo Cansino. He
recruited his daughter, then barely in her teens, to be his
partner in his nightclub act. Leaming contends that he also
sexually abused her. The evidence here is spotty, based solely
on Welles' word that Hayworth once admitted as much to him. But
as a working hypothesis, the trauma of incest may explain a
lifetime of otherwise inexplicable, self-destructive blunders.
</p>
<p> Hayworth married, five times, men who were wrong for her.
Her first husband, a drifter and grifter named Eddie Judson,
was roughly her father's age. Although he helped turn a chubby
young dancer into a screen siren, his methods were brutal; he
offered her body to those in Hollywood who could advance her
career. She claimed to have been happy with Welles, at least
before his infidelities became too blatant. "If this was
happiness," Welles told Leaming years later, "imagine what the
rest of her life had been."
</p>
<p> This biography leaves little to the imagination. Divorced
from Welles and entrusted with the care of their daughter,
Hayworth wanted a peaceful, anonymous existence. And then she
married. . . Aly Khan, already fabled in the tabloids for his
wealth and promiscuity. Before long she ran back to America,
with another daughter, Yasmin, in tow. And then she married Dick
Haymes, a failing nightclub singer with big problems in the area
of unpaid alimony and back taxes.
</p>
<p> Amid all these messes, she made some memorable movies,
including Gilda and Miss Sadie Thompson. But the final years
were awful. She abandoned her last film role in 1972. Eight
years later, she was diagnosed as having Alzheimer's disease,
and Yasmin cared for her until her death in 1987. Leaming's
prose can gush ("the incomparable Hermes Pan," "the fabulous
Eartha Kitt") and regularly descends to write-by-the-numbers
cliche. But the material is poignant, another reminder of the
chasm that can exist between public images and private pain.
</p>
</body></article>
</text>